Showing posts with label J.J.Ohlinger. Show all posts
Last summer I met a gentleman named Brandon Latham at the New York Empire State Tattoo Expo (@nyempirestatetattooexpo). He had just been tattooed by J.J. Ohlinger (@jjohlinger), who was working the show.

Check it out:

Photo courtesy of Brandon Latham
Brandon, who is an artist in Greenville, South Carolina, explained:
"I wanted to draw a tattoo, so I drew an octopus and shaded it and got the look that I wanted and then I gave it to a professional [Ohlinger] to make it into a stencil, to make it a cohesive piece, we kind of collaborated on it ... the octopus is a creature that adapts to its surroundings it has three hearts, and so I kinda did that to represent my wife, my daughter and myself  ... it's a creative unique character .... as soon as I thought about doing it, I saw them everywhere ... I thought about it for a long time because I'm not a very impulsive person, it took me a long time to even get a tattoo."
Ohlinger did a fine job placing the tattoo and making sure it flowed with the contour of Brandon's body. It's a great piece with solid linework and excellent detail.

Brandon also has this anatomical heart on the back of his calf, which Ohlinger also tattooed, back in 2014:


Brandon explained that "the different figures on the side[s] represent different things about [his] life." For example, the cat wearing the hat is "a Russian symbol that means even if you are born in mediocrity, you san still strive above and be an aristocrat," or, in other words, "just because you're born poor doesn't mean you have to continue to be poor, you can strive above that."

He also described the crow reading the book as a steampunk image, noting that "the crow, which is the only animal that analyzes human behavior ... has decided to take care of the children" after the kids' parents have gone off to work.

Brandon is a runner (10 half marathons and a couple of marathons), which explains the cool image of the hare with a tortoise shell on its back.

And the airplane, he explained "is a piper cub airplane, the plane that my dad used to work on, and my daughter's name is Piper."

The details in and around the heart really make this a cool combination of tattoos.

Thanks to Brandon for sharing his work with us here on Tattoosday!

This entry is �2017 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Over the years, I have met many a tattooed poet via social media, word-of-mouth, or in person. Kathleen Nalley is the first poet I've met via a tattoo artist.

I met South Carolina artist J.J. Ohlinger (@jjohlinger) at the New York Empire State Tattoo Expo (@nyempirestatetattooexpo) last month in Manhattan.

It was while hanging out at his booth, talking to one of his clients (whose work will appear in a future post), and chatting about Tattoosday, that the subject of tattooed poets came up.

I believe it was J.J.'s wife, who was working the show with him, said that they knew a poet that he had tattooed, and the photo was in his portfolio. The rest, as they say, was history.

I reached out to Kathleen, and she happily agreed to share her cool tattoo:

Photo Courtesy of J.J. Ohlinger
Kathleen explained how this tattoo came to be:
"I got this particular tattoo last June when JJ Ohlinger ran a contest to tattoo three people in celebration of his third year as a tattoo artist. Luckily, I was one of the winners!
As a lover of words, I�d always imagined Boticelli�s Venus coming out of an open book instead of a clamshell. Boticelli�s Venus was known the �birth of beauty,� the feminine ideal. My tat riffs on the idea that women were created to be someone�s beautiful object." 
Kathleen also shared this short poem from her manuscript-in-progress, Gutterflower:

What Man�s Hands Wrought

Long  before  there  was fracking there  was  you unearthing 
the very earth digging trenches in soil spilling your chemical
goo  turning  mud to muck leaving nutrients to dry fuck you 
nature    heals  herself  in  time  even  the  most  eroded can 
make   anew   grow   pickups  from  seed  littered  the  wind 
always  knows  what  to  do  carry  things  away carry things 
where   they   will  bloom  wildflowers  color  the  landscape 
permeate the  air oh her honeysuckle hue she�s wild always
wild  always  remade  no  matter  the matter or intrusion or
drilling or fracture believe her she will
 ~ ~ ~

Kathleen Nalley�s prose poetry manuscript-in-progress, Gutterflower, follows the life of a Southern woman caught in an unending trap of poverty and violence. Kathleen is the author of the chapbooks Nesting Doll and American Sycamore. Her work is forthcoming or recently has appeared in Fall Lines, New Flash Fiction Review, Slipstream, Rivet, and storySouth, among others. Not surprisingly, she has a poem forthcoming in a violence against women-themed anthology from Sable Books.

Thanks to Kathleen for sharing her tattoo and poem with us here on Tattoosday, and to J.J.Ohlinger for introducing us!

This entry is �2016 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
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